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Fiona Apple - Tidal MP3 Full Album

Genre: Rock
Performer: Fiona Apple
Title: Tidal
Style: Soft Rock, Pop Rock
Date of release: 23 Jul 1996
Label: Clean Slate, Work
Catalog Number: OK 67439
Country: US
FLAC album size: 2963 mb
MP3 album size: 2283 mb

Tracklist

1Carrion
Bass – Dan RothchildChamberlin [Chamberlain] – Patrick WarrenDrums, Percussion – Matt ChamberlainGuitar, Vibraphone, Chamberlin [Chamberlain], Harp – Jon BrionVocals – Fiona Apple
5:43
2Sullen Girl
Bass – Greg RichlingChamberlin [Chamberlain] – Patrick WarrenDrums – Matt ChamberlainGuitar, Vibraphone, Dulcitone, Marimba – Jon BrionPedal Steel Guitar – Greg LeiszVocals, Piano, Organ [Optigan] – Fiona Apple
3:53
3Pale September
Bass – Sara LeeChamberlin [Chamberlain] – Patrick WarrenDrums – Matt ChamberlainHarmony Vocals – Amber MaggartVibraphone, Piano [Tack] – Jon BrionVocals, Piano – Fiona Apple
5:50
4The First Taste
Bass – Sara LeeChamberlin [Chamberlain] – Patrick WarrenDrum Programming – George BlackDrums, Percussion – Matt ChamberlainGuitar, Vibraphone, Piano [Tack], Marimba – Jon BrionPercussion – Danny FrankelVocals, Piano – Fiona Apple
4:46
5Sleep To Dream
Bass – Dan RothchildDrums, Percussion – Matt ChamberlainGuitar, Vibraphone, Piano [Tack] – Jon BrionPiano, Chamberlin [Chamberlain] – Patrick WarrenVocals, Piano – Fiona Apple
4:08
6Shadowboxer
Bass – Greg RichlingChamberlin [Chamberlain] – Patrick WarrenDrums – Danny FrankelVibraphone, Piano [Tack] – Jon BrionVocals, Piano – Fiona Apple
5:24
7Slow Like Honey
Bass – Greg RichlingChamberlin [Chamberlain] – Patrick WarrenDrums – Danny FrankelVibraphone – Jon BrionVocals, Piano – Fiona Apple
5:56
8Never Is A Promise
Arranged By [Strings] – Van Dyke ParksCello – Larry CorbettViola – Evan WilsonViolin [1st] – Ralph MorrissonViolin [2nd] – Claudia ParducciVocals, Piano – Fiona Apple
5:54
9The Child Is Gone
Bass – Dan RothchildChamberlin [Chamberlain] – Patrick WarrenDrums – Matt ChamberlainHarp, Organ [Optigan] – Jon BrionPedal Steel Guitar – Greg LeiszVocals, Piano – Fiona Apple
4:14
10Criminal
Bass – Dan RothchildChamberlin [Chamberlain] – Jon BrionDrums – Matt ChamberlainGuitar – Rob LauferPiano – Patrick WarrenVocals – Fiona Apple
5:41

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
SRCS-8102Fiona Apple Tidal ‎(CD, Album)SonySRCS-8102Japan1996
01-483750-10, WRK 483750, 483750 2Fiona Apple Tidal ‎(CD, Album)Columbia, Work, Work01-483750-10, WRK 483750, 483750 2Europe1996
OK 67439Fiona Apple Tidal ‎(CD, Album, Enh)Clean SlateOK 67439Canada1996
88985420001Fiona Apple Tidal ‎(2x12", Album, Club, RE, RM, RP, 180)Clean Slate, Epic, Sony Music Commercial Music Group88985420001US2019
XPCD 795Fiona Apple Tidal ‎(CD, Album, Promo)Clean Slate, WorkXPCD 7951996

Credits

  • A&RJordan Harris
  • Art DirectionFred Woodward
  • Coordinator [Production Coordinator]Valerie Pack
  • Engineer [Additional Engineering]Brian Scheubel, Claude Achille, Jim Wirt, Niko Bolas
  • Engineer [Assistant]Al Sanderson, Troy Gonzales
  • ManagementHK Management
  • Mastered ByTed Jensen
  • Mixed By [Assisted By]Tom Banghart
  • Photography ByNathaniel Goldberg
  • ProducerAndrew Slater
  • Recorded By, Mixed ByMark Endert
  • Songwriter [Songs Written By]Fiona Apple

Notes

Recorded at Sony Music Studios, Ocean Way Recorders, 4th Street Recording, Los Angeles
Mixed at Brooklyn Recording Studio, Los Angeles
Mastered at Sterling Sound

All songs © 1996 FHW Publishing (ASCAP)

Greg Richling appears courtesy of Interscope Records
Dan Rothchild appears courtesy of Polydor Records

© 1996 Sony Music Entertainment Inc.
℗ 1996 Sony Music Entertainment Inc.

Catalog number on sticker:
67439 S1

Barcodes

  • Barcode (Text): 0 7464-67439-2 8
  • Barcode (String): 074646743928
  • Matrix / Runout (Variant 1): CPDP-000510 5
  • Mastering SID Code (Variant 1): IFPI L322
  • Mould SID Code (Variant 1): IFPI 7230
  • Matrix / Runout (Variant 2): CPDP-000510 G4 1A 11
  • Mastering SID Code (Variant 2): IFPI L424
  • Mould SID Code (Variant 2): IFPI 651A
  • Matrix / Runout (Variant 3): CPDP-000510 F4 1A 09
  • Mastering SID Code (Variant 3): IFPI L424
  • Mould SID Code (Variant 3): IFPI 7238
  • Matrix / Runout (Variant 4): CPDP-000510 6
  • Mastering SID Code (Variant 4): IFPI L322
  • Mould SID Code (Variant 4): IFPI 5100
  • Matrix / Runout (Variant 5): CPDP-000510 01
  • Mastering SID Code (Variant 5): IFPI L322
  • Mould SID Code (Variant 5): IFPI 7273
  • Matrix / Runout (Variant 6): CPDP-000510 F4 1A 05
  • Matrix / Runout (Variant 7): CPDP-000510 12
  • Mastering SID Code (Variant 7): IFPI L322
  • Mould SID Code (Variant 7): IFPI 7283
  • Matrix / Runout (Variant 8): CPDP-000510 15
  • Mastering SID Code (Variant 8): IFPI L322
  • Mould SID Code (Variant 8): IFPI 7250
  • Other (inner ring (Variant 8)): CMU P 119
  • Matrix / Runout (Variant 9): CPDP-000510 13
  • Mastering SID Code (Variant 9): IFPI L322
  • Mould SID Code (Variant 9): IFPI 7287
  • Matrix / Runout (Variant 10): CPDP-000510 7
  • Mould SID Code (Variant 10): IFPI 7229
  • Mastering SID Code (Variant 10): IFPI L322
  • Matrix / Runout (Variant 11): CPDP-000510 11
  • Mastering SID Code (Variant 11): IFPI L322
  • Mould SID Code (Variant 11): IFPI 7231
  • Matrix / Runout (Variant 12): CPDP-000510 2
  • Mastering SID Code (Variant 12): IFPI L322
  • Mould SID Code (Variant 12): IFPI 7265
  • Matrix / Runout (Variant 13): CPDP-000510 14
  • Mastering SID Code (Variant 13): IFPI L322
  • Mould SID Code (Variant 13): IFPI 7269
  • Matrix / Runout (Variant 14): CPDP-000510 7
  • Mould SID Code (Variant 14): IFPI 7226
  • Mastering SID Code (Variant 14): IFPI L322
  • Other (DADC Code): CPDP 000510
  • Rights Society: ASCAP

Companies

  • Record Company – Sony Music Entertainment Inc.
  • Manufactured By – The Work Group
  • Phonographic Copyright (p) – Sony Music Entertainment Inc.
  • Copyright (c) – Sony Music Entertainment Inc.
  • Copyright (c) – FHW Publishing
  • Produced For – Harvest Moon Productions
  • Recorded At – Sony Music Studios, Los Angeles
  • Recorded At – Ocean Way Recording
  • Recorded At – 4th Street Recording
  • Mixed At – Brooklyn Studios
  • Mastered At – Sterling Sound
  • Published By – FHW Publishing
  • Glass Mastered At – DADC – CPDP-000510

Album

Criminal, the album's most popular single, won a Grammy Award for Best Female Rock Vocal Performance in 1998. Fiona Apple. The second track on Fiona Apples debut album, released in 1996 when she was 18 years old, is a ballad about trauma. She describes the paralysis of depression: how the hurt stalks below the surface how emotions rage and contort out of view. And theres too much going onBut its calm under the wavesIn the blue of my oblivion, she sings, as if facing a brewing wind, her voice a beacon of dignity, soul, and resolve. Her voice is surprisingly rich and supple for a teenager, and her jazzy, sophisticated piano playing also belies her age. Given the right material, such talents could have flourished, but she has concentrated on her own compositions, which are nowhere near as impressive as her musicianship. Sullen Girl -a wrenching piano ballad examining the wounds of her early sexual assault-is simultaneously full of malaise and hope, while the proud lead single Criminal puts Apple wholly in charge. The self-confessed bad, bad girl drew a heartwrenchingly relatable portrait of teenage turbulence. The album spawned six singles, including Criminal, a top-40 hit in the United States. Apple later won a Grammy for the song. The video for Sleep to Dream won an MTV Video Music Award, where Fiona made her famous This world is bullshit acceptance speech. NPR ranked the record as the 125 greatest album made by a female artist, saying: Fiona Apple unfurled her debut album with a roll of thunder, in the form of Sleep to Dream. 10 tracks 51:31. According to Nielsen SoundScan, it was certified 3x platinum by the RIAA in December 1997. This album is rated in the top 2 of all albums on . Time left: 8h 52m 14s Ships to: Worldwide. This is the album that burst her onto the singersongwriter scene, and being only 18 years old at the time of it's 's amazing to see the maturity of her songwriting displayed throughout. The consistency, the intelligent lyrical content, the unmistakable knack for creating cascading melodies and intricate song is all present here. An artist of her age should not be capable of such a musical feat. Only a true talent can display such wonderful musicianship. Apple is obviously talented-she has a dark, smoky alto and a knack for an arresting turn of phrase-but she's still several years away from realizing her potential. For every fresh lyric she writes Daddy longlegs, I feel that I'm finally growing weary of waiting to be consumed by you, she provides two examples of embarrassingly precious schoolgirl poetry Adagio breezes fill my skin with sudden red, from the same song, Th

Video

Comments to album Fiona Apple - Tidal
Wiliniett
Pretty sure this is getting repressed by VinylMePlease and subscriptions should open up tomorrow, so be quick
Risteacor
In how far do the 'Enhanced' editions differ from the regular ones?
BlackHaze
I don't think so. I checked all submissions, but none of them mentions this video.
Lavivan
I think the enhanced version has the Shadowboxer video on it and you can watch it on a computer. The music isn't any different.
Helo
How come it never came out on vinyl?I very much would like that
LiTTLe_NiGGa_in_THE_СribE
It's because record companies had stopped producing vinyl in the 1990s. You found new records on vinyl only in UK at that time. You had Cassettes and vinyls to 8 pounds and CDs to 15 pounds so it was pretty much a bargain and that's why we bought them, not for "sound quality and dynamics" like hifi sellers tell you today which is BS. All those 1990s hits are now researched on vinyl
Kagaramar
NO KIDDING. How is Fiona's first two LP's not on vinyl?
Trash
I am in love with The first taste. Apple, I can' help but think, spent a lot of time perfecting the song. However, the video was not of this tune, and I wonder why. The jazzy elements to me are impossible to create, and it seems like it is second nature to her. Except for her infamous blow-up at the MTV awards which I missed, and her subsequent albums, I am all for her.
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